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So you want to record an album


Introduction

The process

Budgets

Computer recording

The great debate

Lead sheets

Demo - Broadcast quality

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So You Want to Record an Album ?

How to get started and get the best result for your dollars


Computer Recording

 

Midi Sequencing

Sequencing software is one of the great boons to the recording process. With the computer it is possible to record the performance MIDI information. This means that the computer file contains every nuance of a performance, all of the subtleties that make it personal or creative and then turn around and repeat that performance identically.

The computer becomes a multitrack recorder allowing the musician/producer to create much more of the music at a lower cost than in a full studio.

Once the music has been recorded into the computer, individual notes can be altered or whole sections of songs can be re-arranged.
The actual sounds that are produced depends on the "module" that is playing these files. If there is only a PC Sound Card available the midi files can still be written on the computer and when the file is taken to the studio other Midi Modules can be auditioned until the exact sound required is found but the original file is still used. This is similar to writing a letter on a Word Processor with only a dot matrix printer available at the time. If the file is then taken somewhere where there is a laser printer the final printed result is much improved over the dot matrix version but the real work of writing the letter was done previously .

With the addition of SMPTE time code, the computer can be locked to the multitrack recorder adding virtual tracks. If timecode is recorded on the first track at the beginning of the studio sessions then you can run the all of the synth, samples and drum machines live while the multitrack is running. If the sequencing software supports, say 64 tracks, then locked to a 24 track with timecode on one track you would have 23 tape tracks and 64 virtual tracks giving a total of 87 tracks. These  days it has become more common to use hard disk recording instead of tape. This is because of the high cost of tape and the sound of the converters have improved immensely over the years.

Hard Disk Recording

Hard Disk Recording Systems are widely used now and with the use of plugins have become a huge addition to the Studios editing and recording tools. They convert audio to digital data and use computer hard drives to store the audio data.
There are two types of Hard Disk Recorder – one type is a basic recorder with a few very basic editing functions such as copy and paste and is like a hard disk version of an adat and the other type is a fully comprehensive editor which as well as very detailed copying and pasting can alter pitch & EQ, create fade ins/outs and lengthen or shorten notes as required.
This second type has now been split into two varieties:
(i) the professional DAW (digital audio workstation) such as Soundscape SS32, Sonic Solutions and pro tools which are stand alone boxes containing the A/D, D/A, Processors and Hard drives which are then controlled by an external computer and,
(ii) Native sophisticated sound cards which plug into the computer and use the computers processor and hard drive.
 
The Professional versions usually have better quality A/D, D/A converters and lower noise levels than the sound card versions. This is because the manufacturers have more space to fit the latest converters and normally provide separate power supplies for the audio and digital signals which reduces noise. Also the hard drives are normally formatted to a proprietary structure which is suited to audio recording.
The Sound Card versions can provide a good "cheap" home based recording setup although for a good card it can still cost upwards of NZ$1000 not including the computer which should be a fairly fast Pentium 4 (or equivalent MAC) to provide 32 tracks or so. These cards generally don't have mic preamps built into them so they have just line level inputs and outputs although the cheaper cards such as Creative Labs AWE64 do have mic preamps they are of a "Multimedia" quality only (speech of adequate quality for presentations) The best option when using these cards is to also use a small good quality mixer which will incorporate mic amps as well as EQ. and the ability to add external effects at a later stage.

Creading tracks at home and then bringing them into the studio to mix down is now a viable option because you can export the files as wave files that can be imported to any professional system.  The area that can let that process down is using inferior analog to digital converters. The files should be recorded at a resolution of at least 44.1k and 24 bit. Most systems today can do 96k 24 bit. The higher the resolution the more the space required on the hard drive. This used to be a problem but now with cheap large hard drives available it is no longer an issue.